Mystical Love in the German Baroque: Theology, Poetry, Music
Isabella Van
See Dean T. Mace, “Pietro Bembo and the Literary Origins of the Italian Madrigal, ” The Musical Quarterly 55 (1969): 65–80; Martha Feldman, “The Composer as Exegete: Interpretations of Petrarchan Syntax in the Venetian Madrigal,” Studi ...