Envisioning Others: Race, Color, and the Visual in Iberia ...
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Tanya J. Tiffany also discusses Velázquez's painting of the slave woman in Supper at Emmaus: “Light, Darkness, and African Salvation: Velázquez's 'Supper at Emmaus',” Art History 31, no. 1 (Feb. 2008): 33–56. 13 For two examples, see: ...